Gutenberg! The Musical!

Presented by: Neil Gooding Productions, Ian Stenlake and James Millar

Venue: Chapel Off Chapel

Reviewer: Simon Parris

Date Reviewed: 21st March 2009

 

As comedic as it sounds to have two guys doing a backer’s audition for a musical they wrote together, the scenario is probably not all that far from what Richard Lopez and Jeff Marx, for example, would have gone through for ‘Avenue Q’. David Harris and James Millar play two fairly adorable guys, Bud and Doug, selling the audience their new, fingers-crossed-hopefully-it’s-a-hit musical on the life of Johannes Gutenberg, inventor of the printing press and all round nice guy.

The show succeeds on many levels, not the least of which is the endearing qualities of the two stars who prove they have the comedic chops to handle all manner of physical comedy and an array of zany accents. Millar is fine voice and maintains a maniacal twinkle in his eye as the obsessed Doug. Harris reveals comedic skills heretofore unseen and is a bundle of energy in Bud’s many roles. His sinister Evil Monk, complete with (deliberately) offensive Asian accent and cracking neck, is a hoot.

Another attraction is the show itself. The script is like musical comedy 101, with the formulaic nature of many hit shows laid bare as Bud and Doug explain terms like the ‘I want’ song, the charm song, foreshadowing (which will be explained later in the review) and the 11 o’clock number. The story of Gutenberg and the townsfolk of Schlimmer is over the top but actually has quite a fully realised plot which can be followed through to its dramatic climax. Rounding out the emotional impact of the ending is the front story of Bud and Doug’s relationship, which is teased out in snippets throughout the show.

Director Neil Gooding keeps the action and comedy crackling, with the multitude of characters made clear not just by the labeled hats but also by distinctive accents and physical interpretations. Scenes where several characters are represented at once are particularly funny. Nathan M. Wright’s choreography cleverly plays off the fact that the authors aren’t particularly strong dancers so they perform clichéd steps and sometimes have to count their timing out loud. Musical Director Bev Kennedy provides graceful accompaniment on the grand piano.

Gutenberg! The Musical! is a charming and thoroughly entertaining treat. Catch it if you can.

Final note: Stonnington Council or management of Chapel Off Chapel must do something about the hideous ventilation of the theatre. The high temperature was unbearable yet again for performers and audience alike. I will not be back there unless it is the dead of winter during a blizzard.


 

Simon has appeared in about 40 productions over the past thirty years. Recent roles include Uncle Henry/Guard of the Gate in The Wizard of Oz (Catchment) and Eugene Fodor in Crazy for You (Whitehorse). Other favourite roles include Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.

 

Simon has directed several school productions. Recently he choreographed Urinetown and Little Shop of Horrors for St Michael’s Grammar School. He is currently directing Hot Mikado for St Michael’s, to be staged at the Athenaeum Theatre in May.

 

Simon has served on the Music Theatre Guild of Victoria Committee for five years, and is currently Treasurer. He is also a keen audience member, having seen over 50 shows in five weeks on a recent trip to New York and London.

 

 

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