Cafe Latte

Presented by: Mornington CEF Players

Venue: St Peter's Hall, Mornington

Reviewer: Robbie Carmellotti

Date Reviewed: Friday 29th May, 2009

 

Ever wondered what goes on behind the scenes at your favourite Cafe? Well, I can’t really say I have thought about it much, but after seeing the world premiere of Drew Lanes Cafe Latte in Mornington on Friday evening, it has certainly provoked some thought, but also makes me question the sanity of all cafe workers, and the shenanigans at play in between service.

 

Written, composed and Directed by Drew Lane, with him also being credited for; choreography, musical direction, lighting design, sound operation, photography and the programme, one might ask if he has control issues? Though I assume he simply lives by the fact, ‘If you want anything done, do it yourself’ which I fully admire, though I don’t envy the stress levels that would have been involved in getting this production off the ground.

 

Entering the intimate hall of St Peters, it was pleasant to see a creative set, using the whole stage and parts of the auditorium to make up the Cafe that is, Cafe Latte. The seating was set with an aisle and this was incorporated for the performers to enter and exit throughout the show, so it was a very up close experience, you really got to feel involved in what was going on. Several people were listed for looking after the set, but I’m unsure who is responsible for the exact design, but well done to all, it was a very creative use of space. Also on a technical note, the lighting by Mark Wilson and Drew Lane was well designed for the space, and lit the action subtly and at times creatively.

 

 As a show, from an audience member’s perspective (I don’t claim to be able to comment on the difficulties of writing a full 2 act musical, as it is far beyond my talents, and I give my full admiration to Drew and others like him) I found myself conflicted. Did I like it? Did I not like it? Was it funny? Was it not funny? To be honest I’m not sure! Reason being that I couldn’t quite grasp what the actual point or genre of what the show was, as it had so many different sub plots and often contradicting storylines that it was hard to connect with the show in depth. The synopsis made it sound simple, your average cafe, anywhere in Melbourne, where over the course of one night (though it starts in the morning) their lives are exposed. Perhaps too much was exposed? Or perhaps it just wasn’t portrayed in the right light? This show could have been awesome if it were directed in an over the top soap opera style, taking the piss on everything, rather than trying to make it all so sincere. What also crossed my mind was that this could have worked a bit like Spring Awakening as the songs were more often than not random, they could have picked up a microphone, belted out their feelings and then jumped back into reality. Though these were just thoughts I had while struggling to hear the performers because of no microphones and slow dialogue.

 

Drew Lanes stage direction I thought was quite good, his transition from scene to scene was smooth and his dialogue blocking was great for the setting. His actors did drag the dialogue a little, though it was clear they all had a pretty descent understanding of what type of person they had to portray. Musically I have to wonder if there is enough contrast in the sound for this show to be taken any further than the amateur stage, as the music tended to sound very similar from start to finish, perhaps there was not enough versatility in the music to captivate and leave people wanting more... I’ve left with most of the songs blended together and not really being able to pin point real differences.

 

The shows standout for me was Dan Maurer who played John, the dope smoking, untrustworthy rock star wanna be. His comic timing was brilliant, and he had the audience in hysterics with almost every line.

 

I also quite liked Anne Gasko who played Melinda, the Bi Sexual tramp who is secretly a virgin. Also Luke Hales as Kelly the cliché gay waiter. Both of these performers worked really well with what they had, though most of their comedy value was crass and predictable it certainly got laughs. Both are talented singers and they worked hard from start to finish.

 

Cameo by Ash Cooper as Brett, the abusive husband provided some unexpected fight scenes, in particular one slap across Melinda’s face that had the audience gasping. I’m not sure why he really hit her, but pretend hit everyone else.

 

Alex Kangur as Samantha is a first timer to theatre outside of school, she has a great singing voice and I encourage her to keep pressing forward. Lots of talent. One thing that disturbed me staging wise for this character was when she sang her big ballad about battling teen pregnancy, she sang the whole thing sitting on the toilet, granted she wasn’t ‘going’ to the toilet, but still it distracted from the song.

 

The final 2 lead performers were Anthony Doig as Dave and Genevieve Lutz as Joanne. Dave played the owner of the cafe, we saw him argue constantly with his whiny wife Carly, (Cassarndra Bills played this minor role, and left a great impression).  Dave goes through an array of emotions, angry boss, friendly boss, anti drug campaigner, love interest, father figure, gambling addict, financial mess, marital issues. It’s a constant roller coaster or emotions from start to finish, and I can’t say I sat and was enthralled by Anthony’s acting skills and diversity, but with a lead role that seems as scattered as this, I have to wonder who could pull it off with easy conviction. Genevieve, had a difficult role also, and a tough one for someone making their theatrical debut. This role is difficult in the sense that it is the heart of the show so to speak, all she does is mope around, depressed with her life, her songs are all slow, and the character is ‘nice’, she is the mother figure of the cafe. She does get one of the best lines in the show “Jump Slut”, I don’t want to discourage Genevieve because she did have ‘blah’ role in relation to the other upbeat crazy characters, so it was a bit hard for her to shine, I look forward to seeing her develop as a performer over the next few years.

 

I went to closing night which is a shame because I would have loved to have recommend everyone go see this show, so you could compare your opinion to mine. On the upside to that I may receive less TP backlash if everyone was to disagree with me. So I wish Drew, the cast, CEF, all the best with future endeavours, and again I say I’m envious of those able to get original work on the stage, and in this case, complete with a cast recording.

 


 

Robbie is a theatre addict with a passion for-Directing, Choreographing and Performing. He has played roles such as Mike and Greg- CHORUS LINE, Mungojerrie- CATS, Bernardo- WEST SIDE STORY, The Cat- HONK & King Herod-JSC. He comes from a background in Latin Dancesport where he works as a full time teacher, lecturer and adjudicator. Career highlights include representing Australia at the World Latin, winning the Thailand and Taipei Internationals. He has worked with companies such as Whitehorse, Nova, Williamstown Little Theatre, Windmill, DTC, and Fab Nobs. He is currently in pre production to direct RENT with Fab Nob’s theatre.

 

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