Jack O'Hagan's Humdingers
Presented by: Lilydale Athenaeum Theatre

Reviewer: Glen Barnett
 

I went to see “Jack O’Hagan’s Humdingers” on Wed December 2nd not knowing anything about the show or what it was.  I wasn’t sure what to expect.  In my mind I envisaged an extremely long and drawn out Aussie drama or something along those lines.  I am extremely happy to say that I was pleasantly surprised by what I saw.  Not only was there singing and dancing, but I left the theatre feeling strongly patriotic and extremely satisfied.

 

When my partner and I arrived, we were greeted by the friendly staff of the Lilydale Athenaeum Theatre and a complimentary sherry.   The venue itself is magnificent.  It has the feeling of history about it but at the same time does not feel as though it is out-dated.  We settled into our seats admiring the simple set and how the patterns all matched.  I can’t help but notice if things don’t match.  The lights dimmed and off we went.

 

The show opened with Barry Baker, playing Jack O’Hagan, on the piano, and from there we were taken on a roller coaster of songs, dance, entertainment and even a bit of Australian history.  The cast worked fantastically well together in delivering excitable characters, enjoyable choreography and well balanced harmonies.  The six performers’ voices blended extremely well together. 

 

During the course of the show, songs were sung as solos and group numbers.  The group numbers had some deliciously good harmonies and stand outs for me were “There’s A Part Of My Heart In Wonthaggi” (solo line sung by Angeline Thompson), “Boy Up North” (male trio), “Carry On” and “Along The Road To Gundagai” which was the closing song of the show.  Again, the balance of vocals between the performers was fantastic and the harmonies were delivered strongly and confidently.  Shirley White, the Musical Director, has done a marvellous job, as well as playing the piano for the show. 

 

During the first act, there were times that the cast were masking each other.  During some of the group numbers the spacing between them seemed a little random and some of the cast were completely hidden by other performers.  The lighting for the show was simple and effective.  There was, however, one spot on stage left that was constantly in shadow.  Every time a performer walked past this spot, their face “black-out” for a second.  For the most part, the sound was easy to hear and well balanced.  There were a couple of times that the keyboard was a bit to loud which made it hard to hear some of the solo lines and during the closing song of act one, a sound effect of fireworks was played during the singing that was very much too loud.  Other than that, I heard every word and song.

 

I really liked the use of the projector screen at the back of the stage.  It was used to show footage of the era and was used quite well.  There were two times, in particular, which stood out to me.  The first was when the boys were singing “Our Don Bradman”.  They sung through the song and then cried out “EVERYBODY”.  The words came up on the screen and the audience joined in with the singing.  It was a lot of fun.  The other time was when WWII was announced.  The stage became silent and there was the image of a wireless and the voice of the announcer saying that war had been declared.  It was actually quite haunting. 

 

All six performers should be extremely proud of what they have created.  I have to make mention of Daniel Mottau and Gabrielle O’Brien.  These two performers have exquisite voices and commanded the stage when performing.  Gabrielle’s solo rendition of “When A Boy From Alabama Meets A Girl From Gundagai” was particularly spine tingling.  Laura Slavin and Angeline Thompson were both fantastic.  Their voices were sweet and their energy was constant.  Ian Frost, like the other actors, portrayed several characters.  His voice, while not as strong as the others, was smooth and well controlled.   His comic timing while playing the role of “Buddy”, the American sailor, was vastly entertaining, particularly during the song “I’m Gonna Hump My Bluey”.  Finally, the man himself, Barry Baker playing the role of Jack O’Hagan.  Barry is a strong performer with a beautiful voice.  He had the right amount of emotion at any given time.  For me, when Jack received a letter saying that his song was not chosen for the National Anthem, was particularly poignant.

 

Overall, director Alan Burrows, musical director Shirley White, the cast, crew and production team created a vastly enjoyable piece of theatre.  I would highly recommend this show to anyone.

 


 

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