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Urinetown
Presented by: PEP
Productions
Venue:
Maroondah Secondary College Theatre
Reviewer: Anne Carne
Date Reviewed:
24th February 2007
Right from the start I have to say WOW!
PEPS production of “URINETOWN” is one of the best
and funniest shows I have seen in a while so don’t be put off by the
title or perverse subject matter!
The story is witty and wickedly subversive and
takes place in a city somewhere in time of horrible drought so bad
that private toilets have been banned to conserve water (conserving
water sound familiar?) and people must line up and “pay for the
privilege to pee” use the toilet in public restrooms all owned by
the “Urine Good Company.” Don’t even think of jumping into the
bushes or relieve yourself in a jar as you will be caught, punished
and sent to “URINETOWN”, a place no one knows much about but are
frightened of as no one ever returns from “URINETOWN”. It is about
Corporate greed and full of comic satire, sight gags, wordplay and
jibes at musical numbers from every corner of Musical Theatre that
music theatre goers will appreciate including “Cabaret”, “Fiddler on
the Roof”, a revolutionary march as in “Les Miserables”, a Gospel
scene parodying “Guys and Dolls” and a scene similar to the Jets and
Sharks one in “West Side Story” and so on.
There are 23 reasons why you should go along and
see PEPS “URINETOWN” and they are Marcus Fleming, Nick Kong, Alana
Kiely, James Kearney, Kieran Tracey, Lisa Athans, Leah Anderson,
Glen Barnett, Helena Plazzer, Gerard Schneider, Richard Humphries,
Jen Biggs, Trent Bockman, Michelle Crupi, Noni Garratt, Elyce
Johnstone, Lauren McCormack, Deana Moore, Ryan Purdy, Kathryn
Sherrard, Amy Spruce, Mark Woods and Jenter Zilm, they are all such
a dazzling and equally talented cast I feel they all deserved a
mention. I could have been sitting watching a professional show…such
was the standard.
Nick Kong as the romantic/comic hero Bobby Strong
played the role of the leader of the “freedom to pee free” rebellion
with confidence and ease. His voice is a standout and was a
highlight of many of the musical numbers. Watch out for this
talented boy…remember his name!
Alana Kiely as Hope Cladwell, daughter of the
unscrupulous Caldwell B.
Cladwell head of UGC looked sweet and had a
great voice and played her airhead character to perfection then
shocked the socks off everyone with her belting rendition of “I See
A River”, talented girl.
Marcus Flemming played Officer Lockstock with
tongue in cheek confidence narrating to the audience and then
becoming part of the show. He has a good voice and there were some
hilarious scenes with his sidekick Officer Barrel played by Kieren
Tracey who has great comic timing and great facial expressions and
played the role a bit like Shaggy in Scooby Doo…very funny…well done
guys!
Little Sally the ingenious street urchin played
by Lisa Athans a-la Fanny Brice and dressed like Dorothy Gale from
the Wizard of Oz also has a good voice and had some of the best and
funniest lines and sometimes thought provoking lines in the show
with Marcus, they worked well together in their scenes and I feel
could play up to the audience even a wee (sorry about that pun) bit
more for extra laughs.
Leah Anderson as Penelope Pennywise in charge of
collecting money at Amenity no 9 acted and sang with gusto, she has
a nice belty voice and flaunted herself around the stage but I would
have liked to have seen maybe the addition of some net stockings to
her costume or just something to tart her up a bit more. Go for it
girl!
James Kearney played the greedy, conniving,
corrupt Caldwell B Cladwell fabulously with a touch of Rowan
Attkinson/Black Adder thrown in, so funny. He had a fantastic accent
and the facial expressions, the arched eyebrow and his evil grin and
a great singing voice as well….were a joy to watch, James.
Glenn Barnett/Senator Fipp, Richard Humphries/Mr
McQueen, Gerard Schneider/Hot Blades Harry, Helena Plazzer/Little
Becky Two Shoes, Jen Biggs/Josephine Strong and everyone else were
terrific and held their characters really well and I would like to
make special mention of Lauren McCormack who stood out as Cladwells
Secretary Mrs Millennium…Lauren did not faulter with her character
and her facial expressions were wonderful…well done, Lauren.
Congratulations to the production team, Director
Julia Roper who has done a great job with the casting, her direction
was tight and not once did I see anybody lose character on stage,
every cast member was someone and nothing distracted them. Well
done, Julia, you are a very, very talented lady.
The Orchestra conducted by Malcolm Fawcett was
very together and complemented the singing, there was only once or
twice when they appeared a bit loud and a few words were lost on
stage but they sounded great and Malcolm has done a wonderful job
with the performers and the ensemble singing was by far some of the
best and tightest I have seen. Nice work, Malcolm.
Choreography by Gemma Purdy was a pleasure to
watch, lots of variety and lots of cleverness yet simplicity,
balance and good direction…everyone looked confident and comfortable
with what they were doing, excellent job, Gemma.
Lighting designed by Damian Calvert on the whole
was simple and effective and I particularly liked the effect in Act
2 when Bobby falls, quite clever. A couple of times spotlight cues
were a bit late but it was opening night and as the run goes on I am
sure that will right itself.
Sound was spot on and nice to see the mikes were
placed in not so obvious places, well done Rodney Hird.
Costumes by Yvonne Abott were in keeping with
each person’s character and looked really good right down to the
shoes. Yvonne also designed the Set which stayed on the whole time
and was simple and looked affective and didn’t distract from the
performers. I would have maybe liked to have seen a little bit of a
change in the set in Act 2 when the Rebels were in hiding but the
flashing SECRET HIDEOUT sign was very inventive and funny and
actually distracted from the fact that there was no scene change and
worked very well.
Also maybe a couple of signs held up in the rebel
scene like “Do you hear the people pee” or “Don’t hate-urinate” etc.
as they did in the professional show would have been good value for
the audience! But that is probably more in the Director’s/props
department than sets and also my warped sense of humour. The Dunny
rag waving and toilet brush swinging definitely gave the audience a
clue as to what show was being jibed.
PEP is a new company and “URINETOWN” is their
first show. If this is the standard of their productions to come
then we have a new Star in the Eastern suburbs.
Show PEP some welcoming support and do yourself a
favour and get out to Maroondah Secondary College to see “URINETOWN”.
It only runs from Sat 24th Feb –Sat 3rd March
so don’t miss out and at only $25 a ticket and $20 for concession it
is great entertainment value.
Be prepared to laugh a lot it is a funny show but
also leave some room for thought that “URINETOWN” the place not the
Musical is your town - if you dare to look!
Anne is well known in Musical Theatre circles and
has over 30 years experience in both professional and non
professional Theatre, pantomime and Television appearing in
commercials and on Rove Live last year in comedy sketches. Anne has
played many roles in Musical Theatre including her favorites Dolly
Levi in “Hello Dolly” and Miss Adelaide in “Guys and Dolls”,
receiving a Music Theatre Guild nomination for Best Actress. She has
worked with many theatre groups including Whitehorse, CLOC,
Dandenong, Festival Theatre, Nova and Eastern Musical Theatre. Anne
has also designed sets for many shows and also Directed and
Choreographed shows at the Karralyka Theatre in Ringwood including
“Oklahoma”, “Oliver”, “The Boyfriend” and “Charlie Girl”. |